Córdova immerses us in fantasy, language, and LGBQT in a way I haven’t seen done successfully in today’s YA literature.
Nothing says Happy Birthday like summoning the spirits of your dead relatives.
I fall to my knees. Shattered glass, melted candles and the outline of scorched feathers are all that surround me. Every single person who was in my house – my entire family — is gone.
Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo boy she can’t trust. A boy whose intentions are as dark as the strange markings on his skin.
The only way to get her family back is to travel with Nova to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland…
Labyrinth Lost shows us a custom fantasy culture of brujas with a hefty helping of Spanish language and family traditions. My experience with “diverse” literature lately has been for the author to go overboard, effectively alienating readers.
Alex has a lot on her plate: trying to keep her powers a secret from her family and her best friends, dealing with her feelings for Nova (a boy) and Rishi (a girl), being tracked by demons, and–not a spoiler it’s right there in the blurb–making her entire family, the living and the dead, disappear.
An amazing action packed read, Labyrinth Lost never left me wanting more. Until the end. When I wanted more book because I need more of these characters.
Córdova even made me care about the antagonists, making me care about their general well-being.
Not only pushing for diversity but achieving it, not predictable, and in no way shape or form boring, Labyrinth Lost delivers more than you could ask for of today’s YA literature.