After escaping a harsh school where punishment was the lesson of the day, seventeen-year-old Louisa Ditton is thrilled to find employment as a maid at a boarding house. But soon after her arrival at Coldthistle House, Louisa begins to realize that the house’s mysterious owner, Mr. Morningside, is providing much more than lodging for his guests. Far from a place of rest, the house is a place of judgment, and Mr. Morningside and his unusual staff are meant to execute their own justice on those who are past being saved.

Louisa begins to fear for a young man named Lee who is not like the other guests. He is charismatic and kind, and Louisa knows that it may be up to her to save him from an untimely judgment. But in this house of distortions and lies, how can Louisa be sure whom to trust?

Roux uses language like Austen and plots like Brontë. House of Furies is simply amazing and if you think it isn’t up your alley-you’re wrong. Do not smile. Do not frown. Do not, under any circumstances, put this book down. Continue reading →

After escaping a harsh school where punishment was the lesson of the day, seventeen-year-old Louisa Ditton is thrilled to find employment as a maid at a boarding house. But soon after her arrival at Coldthistle House, Louisa begins to realize that the house’s mysterious owner, Mr. Morningside, is providing much more than lodging for his guests. Far from a place of rest, the house is a place of judgment, and Mr. Morningside and his unusual staff are meant to execute their own justice on those who are past being saved.

Louisa begins to fear for a young man named Lee who is not like the other guests. He is charismatic and kind, and Louisa knows that it may be up to her to save him from an untimely judgment. But in this house of distortions and lies, how can Louisa be sure whom to trust?

Roux uses language like Austen and plots like Brontë. House of Furies is simply amazing and if you think it isn’t up your alley-you’re wrong. Do not smile. Do not frown. Do not, under any circumstances, put this book down. Continue reading →

Twins Carys and Andreus were never destined to rule Eden. With their older brother next in line to inherit the throne, the future of the kingdom was secure.

But appearances—and rivals—can be deceiving. When Eden’s king and crown prince are killed by assassins, Eden desperately needs a monarch, but the line of succession is no longer clear. With a ruling council scheming to gain power, Carys and Andreus are faced with only one option—to take part in a Trial of Succession that will determine which one of them is worthy of ruling the kingdom.

As sister and brother, Carys and Andreus have always kept each other safe—from their secrets, from the court, and from the monsters lurking in the mountains beyond the kingdom’s wall. But the Trial of Succession will test the bonds of trust and family.

With their country and their hearts divided, Carys and Andreus will discover exactly what each will do to win the crown. How long before suspicion takes hold and the thirst for power leads to the ultimate betrayal?

BEHOLD! FOR I HAVE FINALLY FINISHED THIS BOOK! And it was amazing.

I’m working my way back into love with the fantasy genre and between Diving Eden, A Court of Thorns and Roses, and Red Queen my interest has certainly been piqued. Continue reading →

Tessa Hart’s world feels very small. Confined to her bedroom with agoraphobia, her one escape is the online fandom for pop sensation Eric Thorn. When he tweets to his fans, it’s like his speaking directly to her…

Eric Thorn is frightened by his obsessive fans. They take their devotion way too far. It doesn’t help that his PR team keeps posting to encourage their fantasies.

When a fellow pop star is murdered at the hands of a fan, Eric knows he has to do something to shatter his online image fast—like take down one of his top Twitter followers. But Eric’s plan to troll @TessaHeartsEric unexpectedly evolves into an online relationship deeper than either could have imagined. And when the two arrange to meet IRL, what should have made for the world’s best episode of Catfish takes a deadly turn…

I love the cover. I love the format. And I love the alternating viewpoints. But I don’t love the third viewpoint or where it gets added. Continue reading →

I finally finished Court of Wings and Ruin. I feel like it took me forever to get through and that’s where it lost a few stars for me. Fair warning, this review will contain spoilers.

A nightmare, I’d told Tamlin. I was the nightmare.

Feyre has returned to the Spring Court, determined to gather information on Tamlin’s maneuverings and the invading king threatening to bring Prythian to its knees. But to do so she must play a deadly game of deceit—and one slip may spell doom not only for Feyre, but for her world as well. As war bears down upon them all, Feyre must decide who to trust amongst the dazzling and lethal High Lords—and hunt for allies in unexpected places.

I loved almost everything about this book, so you might be wondering why I’m giving it three stars. I’ll get to that later. Continue reading →

A little slow and a little weird, but definitely worth the read.

Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile since her award-winning piece Food Poisoning #1 last year.

Her lack of inspiration might be because her abuela is lying comatose in faraway Puerto Rico after suffering a stroke. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings.

Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate.

At the Estate, Mercedes can create in ways she never has before. She can share her deepest secrets and feel safe. But Mercedes can’t take anything out of the Estate, including her new-found clarity. As her life continues to crumble around her, the Estate offers more solace than she could hope for. But Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality.

Let’s start with the awesomeness that is a bisexual main character. I really loved watching her come to terms with her sexuality and how that inward struggle prevented her from addressing her passions, as many inward struggles do. Her front most struggle is to create a second painting in a series about… well… food poisoning… a little weird but you do you. But her real struggle is not only coming out to her best friend but also admitting that she has more than friendly feelings for her. All great things needed in YA.

And even with that–it’s not really a romance. Don’t go into this expecting a romance. Go into The Gallery of Unfinished Girls expecting a coming of age story. Because that’s what this is. And honestly, I think we need more “coming into feelings” stories and less “having feelings returned” stories.

Now onto other things. The writing is not bad. It’s not meh, either. It’s actually a very well written book, but I wasn’t ever really drawn into the book. I blame the flat opening. A piano suddenly shows up on the front lawn one day and then… nothing really happens for a few days… I think the opening would have benefited from more magical things occurring to keep us interested. Instead, there is a lot of introspective downtime in front of partially complete canvases.

Which is totally relate-able to as a writer who has sat in front of many a blank screen before, but I need that summed up in my fiction.

Ultimately, I enjoyed it and recommend that you pick it up, but it’s not a must have or don’t bother.

I don’t know if this is obvious, I love thrillers.

Kacey is the new girl in Broken Falls. When she moved in with her father, she stepped into a brand-new life. A life with a stepbrother, a stepmother, and strangest of all, an adoring younger half sister.

Kacey’s new life is eerily charming compared with the wild highs and lows of the old one she lived with her volatile mother. And everyone is so nice in Broken Falls—she’s even been welcomed into a tight new circle of friends. Bailey and Jade invite her to do everything with them.

Which is why it’s so odd when they start acting distant. And when they don’t invite her to the biggest party of the year, it doesn’t exactly feel like an accident.

But Kacey will never be able to ask, because Bailey never makes it home from that party. Suddenly, Broken Falls doesn’t seem so welcoming after all—especially once everyone starts looking to the new girl for answers.

Kacey is about to learn some very important lessons: Sometimes appearances can be deceiving. Sometimes when you’re the new girl, you shouldn’t trust anyone.

Recently, I posted a big long list of YA tropes, which you can view here. On it, are evil (cheerleader-esque) teenage girls. And there were a lot of them in Little Monsters. BUT… I love them so much. They’re so evil I love it. I’m a terrible person.

Kacey is a new girl in a small town. She had a big fight with her highly unstable mother and moved in with her father, whom she’s never met, and his family in Broken Falls. But lucky for her she made new friends: Bailey and Jade.

Queue my other least favorite tropes: girl goes to party, girl doesn’t make it home.

Okay, the party is presented like the usual “girl goes to party and tries drugs for the first time,” it’s a legitimate social gathering here and it’s huge, because Kacey wasn’t invited. As the summary says.

In a small town where everyone already has tight and long-form relationships, it’s not long before everyone suspects Kacey and she, rightfully so, begins to retreat inward and keep her loyalties to herself.

I did, despite many red herrings, guess the culprit, but I did suspect a few others before that.

I really loved the depiction of the small town, complete with its own local legends and universal small town culture. It really added to the general mood of Little Monsters.

I also loved the friendships. It was all so accurate about how complicated teenaged friendships can be. All the obsessions and jealousy was turned up for the sake of the story but it never popped me out of the book.

One thing that did bother me is Kacey’s “Mysterious Past,” which is never fully pinned down. It added to the mystery for sure, but definitely took away from the project as a whole. I think if Bailey’s journal entries, our only alternate viewpoint, could have been expanded to help us better understand Kacey.

Definitely a solid YA thriller and it’s already out! So go pick it up and… you know… don’t read it before bed. (You’ve been warned)

Based on the premise, I thought I’d really enjoy Bad Girl Gone. Well–I knew I’d have an issue with the “she’s blatantly dead why can’t she tell” part of it, but the rest of it I fully expected to enjoy.

Sixteen year-old Echo Stone awakens in a cold sweat in a dark room, having no idea where she is or how she got there. But she soon finds out she’s in Middle House, an orphanage filled with mysteriously troubled kids.

There’s just one problem: she’s not an orphan. Her parents are very much alive.

She explains this to everyone, but no one will listen. After befriending a sympathetic (and handsome) boy, Echo is able to escape Middle House and rush home, only to discover it sealed off by crime scene tape and covered in the evidence of a terrible and violent crime. As Echo grapples with this world-shattering information, she spots her parents driving by and rushes to flag them down. Standing in the middle of street, waving her arms to get their attention, her parents’ car drives right through her.

She was right. Her parents are alive—but she’s not.

She’s a ghost, just like all the other denizens of Middle House. Desperate to somehow get her life back and reconnect with her still-alive boyfriend, Echo embarks on a quest to solve her own murder. As the list of suspects grows, the quest evolves into a journey of self-discovery in which she learns she wasn’t quite the girl she thought she was. In a twist of fate, she’s presented with one last chance to reclaim her life and must make a decision which will either haunt her or bless her forever.­­­­

Echo is obnoxious and self-centered. I’m all for something focusing on personal development but I couldn’t make it far enough to watch her learn from her mistakes.

True to books I can’t stand–a love triangle is featured prominently. Echo loved Andy when she was alive. They even had obnoxiously disgusting nicknames for each other: rabbit and wolfie. Once Echo died, she fell for Cole. Because he’s super hot. Then she gets incredibly jealous when Andy is eyeballed by a new–living–girl and rushes to kiss Cole. And I wanted to hurl. Echo is literally every stereotype about teenage girls all rolled into one and it annoyed me to no end.

Everyone lacked a genuine personality and Echo’s mind reading power made her troubles too easy to get through.

Don’t you just love when you pick a book for the cover and the writing is just as beautiful?

To save her sister’s life, Faris must smuggle magic into a plague-ridden neighboring kingdom in this exciting and dangerous start to a brand-new fantasy duology.

Faris grew up fighting to survive in the slums of Brindaigel while caring for her sister, Cadence. But when Cadence is caught trying to flee the kingdom and is sold into slavery, Faris reluctantly agrees to a lucrative scheme to buy her back, inadvertently binding herself to the power-hungry Princess Bryn, who wants to steal her father’s throne.

Now Faris must smuggle stolen magic into neighboring Avinea to incite its prince to alliance—magic that addicts in the war-torn country can sense in her blood and can steal with a touch. She and Bryn turn to a handsome traveling magician, North, who offers protection from Avinea’s many dangers, but he cannot save Faris from Bryn’s cruelty as she leverages Cadence’s freedom to force Faris to do anything—or kill anyone—she asks. Yet Faris is as fierce as Bryn, and even as she finds herself falling for North, she develops schemes of her own.

With the fate of kingdoms at stake, Faris, Bryn, and North maneuver through a dangerous game of magical and political machinations, where lives can be destroyed—or saved—with only a touch.

There were so many wonderful fantasy elements in Shimmer and Burn, and Taranta’s writing is so immersive that it was easy to get lost in it.

The opening scene is so powerful and dark and amazing and I knew after I’d finished the first chapter that I was going to be recommending this book to everyone. Faris’s mother attacks her on page one. There are so many emotions, questions, and eye openers in just that one scene there is literally no way for you to put the book down.

And it only got darker. Taranta was totally unafraid to kill these characters and there is no where, on any page, where I believed anyone was safe.

Faris’s characterization is wonderfully new in the world of YA. She is in no way, shape, or form a perfect little snowflake and I loved reading her. She makes mistakes and harbors a lot of guilt for them. She is incredibly well written.

The only place that Shimmer and Burn lost points for me was the romance, and that is really only because I’m tired of seeing that in my fiction. I always feel like romances take away from a character’s autonomy.

Shimmer and Burn is alluring and terrifying and deserves a very special place on your shelf.

It sounded like it would be a great read. Fantasy. Anxiety. Dragons. But Before She Ignites fell short for me and I ended up putting it down about 75% of the way through.

Before

Mira Minkoba is the Hopebearer. Since the day she was born, she’s been told she’s special. Important. Perfect. She’s known across the Fallen Isles not just for her beauty, but for the Mira Treaty named after her, a peace agreement which united the seven islands against their enemies on the mainland.

But Mira has never felt as perfect as everyone says. She counts compulsively. She struggles with crippling anxiety. And she’s far too interested in dragons for a girl of her station.

After

Then Mira discovers an explosive secret that challenges everything she and the Treaty stand for. Betrayed by the very people she spent her life serving, Mira is sentenced to the Pit–the deadliest prison in the Fallen Isles. There, a cruel guard would do anything to discover the secret she would die to protect.

No longer beholden to those who betrayed her, Mira must learn to survive on her own and unearth the dark truths about the Fallen Isles–and herself–before her very world begins to collapse.

At first, the out of order narrative was intriguing. We bounced back and forth learning just what got Mira thrown in prison in the first place. The first few shifts in time worked like flashbacks and added to the story in place. But as the book went on and I learned more about Mira, and her personality, the more these shifts worked against the book.

You might assume that being thrown in prison by those you trusted would sparked a certain amount of forced maturity on a person. It might be a wake up call to an absurdly naive and privileged character, like Mira. But the flashes just showed me the same character.

Mira before and Mira after, aren’t significantly changed. I would assume getting thrown in prison and being starved and taken from a world of comforts would change a person. I don’t see strength in Mira, I see naivete.

She gets warnings at every turn: you don’t know who you can trust in the Pit. And her first actions are to trust the people in her cell block. Her excuse is that the friendliness is a custom on her island, but that’s just not strong enough for me. The friendliness should from Mira before, and be something to work back to for Mira after.

Her lack of change comes through strongly in the out of order narrative and it’s where the book lost a lot of stars for me.

But it wasn’t all bad. The anxiety, the part of the story which really intrigued me, was really well done. Although Mira has panic attacks for legitimate things and I really wanted to see her have one for no reason at all to really drive home to readers who don’t suffer from them just how obnoxious and intrusive they can be, her coping mechanisms were spot on. Her reactions and frustration with losing control of her of her body were accurate and I really enjoyed them.

But the one thing which annoyed me to know end was how the dragons were referred to. Always by full Latin-esque names: drakontos quintus, drakantos mons, drakontos aquis, drakontos raptus, drakontos titanus, drakontos mimikus, drakontosrex, drakontos maior, drakontos sol, drakontos ignitus, and drakontos milus. I understand that Meadows is trying to create a species and keep us thinking is sizes and colors, but the jargon for her world was tiring and it made the descriptions sound unnatural.

People say, “I have dogs” not “I have a black Labrador, St. Bernard mixed breed canine.” I think this could have been a lot better if the academic classification of the dragons had been less integrated into Mira’s narration.

I requested it because it was weird, and I like weird, but I don’t know… I just wasn’t feeling this.

Sasha Stone knows her place—first-chair clarinet, top of her class, and at the side of her oxford-wearing boyfriend. She’s worked her entire life to ensure that her path to Oberlin Conservatory as a star musician is perfectly paved.

But suddenly there’s a fork in the road, in the shape of Isaac Harver. Her body shifts toward him when he walks by, her skin misses his touch even though she’s never known it, and she relishes the smell of him—smoke, beer, and trouble—all the things she’s avoided to get where she is. Even worse, every time he’s near Sasha, her heart stops, literally. Why does he know her so well—too well—and she doesn’t know him at all?

Sasha discovers that her by-the-book life began by ending another’s: the twin sister she absorbed in the womb. But that doesn’t explain the gaps of missing time in her practice schedule or the memories she has of things she certainly never did with Isaac. As Sasha loses her much-cherished control, her life—and heart—become more entangled with Isaac. Armed with the knowledge that her heart might not be hers alone, Sasha must decide what she’s willing to do—and who she’s willing to hurt—to take it back.

Edgar Award–winning author Mindy McGinnis delivers a dark and gripping psychological thriller about a girl at war with herself, and what it really means to be good or bad.

I sat on this one for a while. I mean, did I want to read a book that was going to so obviously end with split personalities? The longer I waited to pick it up the less interested I became in actually getting it off my review list.

And then I finally bit the bullet and opened it up.

The writing was confusing, at best. When it wasn’t confusing it was boring.

Part of what made my eyes roll is that Sasha is suddenly portrayed as “bad” the minute she has sex and the reason her unborn twin sister has any control is because Sasha absorbed her heart in the womb. Like I said, it’s “twist” is exactly what you thought it’d be.

I was really pushed out of the story for these issues, as well as the writing, and ultimately, I skipped around a lot just to look for the ending to confirm what I thought was going to happen.

And I want to put this out there: the synopsis says This Darkness Mine is about a “a girl at war with herself, and what it really means to be good or bad.” Being sexually active does not make you bad. The end.